AMELIA FAIS HARNAS CUEVA
  • Artwork
    • 2022 - Rite Mendica
    • 2019 - Histology Series
    • 2019 - Deeply Held
    • 2019 - The Merism
    • 2019 - Drink a Measure Round
    • 2018 - Figure Studies
    • 2016 - #nomakeup
    • 2014 - Razzle Dazzle
    • 2014 - Familiarity Series
    • 2012 - Damiani Wine Stains
    • 2010 - The First Wine Stains
    • 2003 - 2018 Sketchbook Excerpts
  • About
  • CV
  • Contact

razzle dazzle series

2014
November 25 2007 Portland OR | crayon & red wine | July 2014
March 6, 2011: Barcelona, Spain | crayon & red wine | July 2014
June 2, 2014: Corning, NY | crayon & red wine | July 2014
June 20, 2012: Corning, NY | crayon & red wine | July 2014
April 15, 2011: Corning, NY | crayon & red wine | July 2014
October 9, 2012: Nîmes, France | crayon & red wine | July 2014
According to a certain red book, I was born during the Cusp of Exposure: "self-concealment is futile: the more [you] try to hide, the more the world seems to take notice of [you]." It's true that I grapple with my dueling natures of wanting to hide and wanting to be seen. In parallel, making artwork requires these opposing forces: work is made in solitude but then must be brought before an audience. 
I am also struck by people who are willing to post selfie after selfie on Facebook but then get furious when they perceive their privacy violated (which we all know is unavoidable in the age of endless internet). 

These are drawn from Facebook profile photos disguised in dazzle camouflage.
© Amelia Fais Harnas Cueva, 2003 - 2026
  • Artwork
    • 2022 - Rite Mendica
    • 2019 - Histology Series
    • 2019 - Deeply Held
    • 2019 - The Merism
    • 2019 - Drink a Measure Round
    • 2018 - Figure Studies
    • 2016 - #nomakeup
    • 2014 - Razzle Dazzle
    • 2014 - Familiarity Series
    • 2012 - Damiani Wine Stains
    • 2010 - The First Wine Stains
    • 2003 - 2018 Sketchbook Excerpts
  • About
  • CV
  • Contact